This compelling “important and timely” (Drew Faust, Harvard Magazine) #1 New York Timesbestseller examines the legacy of slavery in America—and how both history and memory continue to shape our everyday lives.

Product Code: 9065
ISBN: 9780316492928
Format: Paperback / softback
Publisher: Little, Brown
Pages: 352
Published Date: 12/27/2022
Availability:In stock
N/A
Price: $18.99

Beginning in his hometown of New Orleans, Clint Smith leads the reader on an unforgettable tour of monuments and landmarks—those that are honest about the past and those that are not—that offer an intergenerational story of how slavery has been central in shaping our nation's collective history, and ourselves.

It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving more than four hundred people. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola, a former plantation-turned-maximum-security prison in Louisiana that is filled with Black men who work across the 18,000-acre land for virtually no pay. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers.

A deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our country's most essential stories are hidden in plain view—whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods like downtown Manhattan, where the brutal history of the trade in enslaved men, women, and children has been deeply imprinted.

Informed by scholarship and brought to life by the story of people living today, Smith's debut work of nonfiction is a landmark of reflection and insight that offers a new understanding of the hopeful role that memory and history can play in making sense of our country and how it has come to be.

Winner of the National Book Critics Circle Award for Nonfiction
Winner of the Stowe Prize
Winner of 2022 Hillman Prize for Book Journalism
A New York Times 10 Best Books of 2021


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Contents

Author’s Note

”This whole city is a memorial to slavery” –
Prologue

”There’s a difference between history and nostalgia” –
Monticello Plantation

”An open book, up under the sky” –
The Whitney Plantation

”I can’t change what happened here” –
Angola Prison

”I don’t know if it’s true or not, but I like it” –
Blandford Cemetery

”Our Independence Day” –
Galveston Island

”We were the good guys, right?” –
Gorée Island

”I lived it” –
Epilogue

About This Project
Acknowledgments
Notes
Index

“An important and timely book about race in America.” - Drew Faust, Harvard Magazine

"Merging memoir, travelogue, and history, Smith fashions an affecting, often lyrical narrative of witness." - The New York Review of Books

"In this exploration of the ways we talk about — and avoid talking about — slavery, Smith blends reportage and deep critical thinking to produce a work that interrogates both history and memory." - Kate Tuttle, Boston Globe

“Raises questions that we must all address, without recourse to wishful thinking or the collective ignorance and willful denial that fuels white supremacy.” - Martha Anne Toll, The Washington Post

“Sketches an impressive and deeply affecting human cartography of America’s historical conscience…an extraordinary contribution to the way we understand ourselves.” - Julian Lucas, New York Times Book Review

"Part of what makes this book so brilliant is its bothandedness. It is both a searching historical work and a journalistic account of how these historic sites operate today. Its both carefully researched and lyrical. I mean Smith is a poet and the sentences in this book just are piercingly alive. And it’s both extremely personal—it is the author’s story—and extraordinarily sweeping. It amplifies lots of other voices. Past and present. Reading it I kept thinking about that great Alice Walker line ‘All History is Current’.” - John Green, New York Times bestselling author of The Anthropocene Reviewed

“The detail and depth of the storytelling is vivid and visceral, making history present and real. Equally commendable is the care and compassion shown to those Smith interviews — whether tour guides or fellow visitors in these many spaces. Due to his care as an interviewer, the responses Smith elicits are resonant and powerful. . . . Smith deftly connects the past, hiding in plain sight, with today's lingering effects.” - Hope Wabuke, NPR

“This isn’t just a work of history, it’s an intimate, active exploration of how we’re still constructing and distorting our history.” - Ron Charles, The Washington Post

“Both an honoring and an exposé of slavery’s legacy in America and how this nation is built upon the experiences, blood, sweat and tears of the formerly enslaved.” - The Root

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