Writing to his brother, G’Ra Asim reflects on building his own identity while navigating Blackness, masculinity, and young adulthood - all through wry social commentary and music/pop culture critique
Product Code: 5830
ISBN: 9780807059487
Format: Hardback
Publisher: Beacon Press
Published Date: 05/11/2021
Availability:In stock
N/A
Price: $24.95

How does one approach Blackness, masculinity, otherness, and the perils of young adulthood? For G’Ra Asim, punk music offers an outlet to express himself freely. As his younger brother, Gyasi, grapples with finding his footing in the world, G’Ra gifts him with a survival guide for tackling the sometimes treacherous cultural terrain particular to being young, Black, brainy, and weird in the form of a mixtape.

Boyz n the Void: a mixtape to my brother blends music and cultural criticism and personal essay to explore race, gender, class, and sexuality as they pertain to punk rock and straight edge culture. Using totemic punk rock songs on a mixtape to anchor each chapter, the book documents an intergenerational conversation between a Millennial in his 30s and his zoomer teenage brother. Author, punk musician, and straight edge kid, G’Ra Asim weaves together memoir and cultural commentary, diving into the depths of everything from theory to comic strips, to poetry to pizza commercials to mapping the predicament of the Black creative intellectual.

With each chapter dedicated to a particular song and placed within the context of a fraternal bond, Asim presents his brother with a roadmap to self-actualization in the form of a Doc Martened foot to the behind and a sweaty, circle-pit-side-armed hug.


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Introduction

Africa Has No History:
An Annotation of Anti-Flag’s “A Start”

Evidence of Things Unscene:
An Annotation of Propagandhi’s “Less Talk, More Rock”

Marching Through the Mosh Pit:
An Annotation of Operation Ivy’s “Room Without a Window”

Ace Up My Sleeve:
An Annotation of the Matches’ “More Than Local Boys”

Mad Props to Madness:
An Annotation of Bad Religion’s “Pity the Dead”

Ever Since I Was a Little Grrrl:
An Annotation of Black Kids’ “I’m Not Gonna Teach Your Boyfriend How to Dance with You”

To the Edge and Back:
An Annotation of Brand New’s “Sic Transit Gloria . . . Glory Fades”

American Idiolect:
An Annotation of Fefe Dobson’s “Stupid Little Love Song”

PMA (Positivist* Mental Attitude):
An Annotation of Bad Brains’ “Attitude”

Whatever People Say I Am, That’s What Omnaut:
An Annotation of Masked Intruder’s “Take What I Want”

Acknowledgments
Notes

“Asim’s astute social commentary, poignant storytelling, wit, and solid music criticism will appeal to punk and non-punk readers alike.” - Kirkus Reviews, Starred Review

Boyz n the Void is provocative, opinionated, and fun.” - Shelf Awareness

“Like any great mixtape, Asim’s compilation is the most personalized of gifts. Layered, deeply revealing, it’s a rhythmic journey through the indices, subgenres, and touchstones that encapsulate the refinement of an increasingly rare gem—Black singularity. Written with love, erudition, and the utmost respect, Boyz n the Void is a genuine keepsake.” - Paul Beatty, author of The Sellout, winner of the Man Booker Prize and the National Book Critics Circle Award

Boyz n the Void is a critical ethnography of growing up Black and punk in the aughts. Asim strikes a balance between total immersion in the scene and the intimacy of a letter sent between brothers. Boyz n the Void manages to be ambitious, scholarly, and cool all at once - a testament to its necessity and authenticity. Boyz n the Void is essential reading for Black weirdos, punks of all ages, and those invested in impeccably rendered American history.” - Cyrée Jarelle Johnson, author of Slingshot, winner of the 2020 Lambda Literary Award in Gay Poetry

“In this wise, funny, and heartfelt meditation on the vagaries of post-conventional identity, G’Ra Asim writes that to be a successful Black artist you ‘must not only untether yourself from essentialized notions of Blackness but create with such fluency as to move your audience to jettison the same constraints.’ Boyz n the Void is many things - an impassioned paean to high-stakes cultural invention, a brutally honest excavation of the twenty-first-century color line, and a work of brotherly love - but it also marks the emergence of an important Black artist.” - Chris Lehmann, editor of The New Republic

“G’Ra Asim’s Boyz n the Void is full of dopamine hits and heartbreak. You don’t want to stop listening, even when it aches. It becomes part of you. These essays are rigorous and tender and funny all at once, charged with humor that doesn’t deflect from difficult honesty so much as it takes you deeper into the maze of truth. Asim is attentive to small acts of intimacy and solidarity and vulnerability - a punk kid parting the curtain of his mushroom haircut, or learning to love the sweat and leather of a mosh pit - even as he dissects and illuminates, with searing, razor-sharp brushstrokes, the daily brutalities and hidden curriculums of structural racism. I’d gladly read anything by ’Ra the Exhorter - for his brilliance, his wit, his heart, and his electric illuminations of those forces of love and rebellion that might be able to remake our broken world.” - Leslie Jamison, New York Times best-selling author of The Empathy Exams

“There are just some voices that stop you cold; as resonances of some familiar brilliance but also of something so original, so compelling that you have no choice but to take notice. G’Ra Asim is one of those voices, and his book Boyz n the Void: a mixtape to my brother is the literary salve that we didn’t know that we all needed.” - Mark Anthony Neal, author of Looking for Leroy: Illegible Black Masculinities

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